HYPERORGANISM (2025)

Hyperorganism is a rejection of the authentic representation of reality and an attempt to commit terror onto the image. Hyperorganism erases the attractive and the real, and the photographs become imprisoned in their own, now distorted realities. Doing so allows me to criticize the photograph as a medium of the antidemocratic regimes of control.

The photograph in the lens of a hyperedit becomes objectified and presented in its screams. This process is shown repeatedly, as a series of gifs which transform the green nature into a bloody depiction of the mortality of a society in pain.

At the end of each repetition of the moving image, it returns to its original dead state. That shows a cycle of pain through which the photograph constantly goes through. Something which was at one point so beautiful has now gone through an irreversible distortion. The nature around us is undergoing a similar distortion. Hyperorganism is an answer to decades, if not centuries of the destruction of nature, where that destruction is translated into the destruction of the very medium of photography. The synthesis of pain has developed a new scream.